Pulling the Plug on Jerry Mathers
Somebody call Eve Ensler, because it looks like the Vagina Monologues are becoming the Vagina Dialogues.
Davis Thinking"My dad just got iced." I saw this status update on Facebook the other day and knew it probably had nothing to do with hockey or joint pain. A wee bit of research revealed that Icing is a new drinking game wherein someone gives a Smirnoff Ice to someone else, who must get down on one knee and chug it. If the person being "iced" pulls out their own concealed Smirnoff Ice, called "ice blocking," the icer has to drink both bottles. People are icing and getting iced all over the country largely due to the promotional efforts of now defunct website www.brosicingbros.com. Whether the game (and website) was conceived by Smirnoff parent Diageo (they deny having any part in its creation or promotion), or bored frat boys isn't important. Icing reveals the value of understanding complex social relationships, not simply studying (and catering to) demographics.
In a time when brands must move comfortably across contexts to extend their relevance and engage consumers, Lady Gaga's mind is prime real estate. Her latest brainchild, a 10-minute long mini-film for "Telephone," is a product placement hotbed. Miracle Whip, Virgin Mobile, Diet Coke, HP, Polaroid, Wonder Bread, and the dating Web site Plenty Of Fish all co-star, shaped by the artist into a surreal mashup that confirms the importance of brand to our cultural dialogue.
In case you haven't heard, MTV updated its logo. "Music Television" has gone the way of, well, music television, which the channel hasn't featured for nearly a decade. In its stead, peering out from a double-amputee M, isn't this generation's Lauper or Jagger, but the "personalities" from MTV's latest reality trainwrecks. The company claims the logo, historically dynamic and malleable, now more accurately reflects MTV's evolution from music-centric content to a broader expression of contemporary youth culture; that it's more honest about what the company has become. Perhaps that's true. But considering the fossil record of MTV programming, a spray-tanned Snookie framed in leopard print signifies neither evolution, nor intelligent design.
We recently voiced optimism that the Super Bowl launch of Dove's Men+Care line would challenge the alpha male ad genre, just as its revolutionary Real Beauty spot from Super Bowl XL confronted unhealthy female beauty standards. On Sunday, our optimism swirled its sad little way down the drain.
Not much surprises us these days. And that, by and large, is the way we like it. We have more control than ever over our lives. We bank and shop on-demand online. We use RSS feeds to filter our news. We carefully manage our public image by broadcasting the most appealing pieces of ourselves -- photos, status updates and MP3 playlists -- on our blogs and Facebook pages. Recognizing this demand for control and customization, more marketers are asking us to help shape their products as we see fit. So it's surprising to see some new businesses thriving by keeping us in the dark.
IKEA fans are all a-Twitter over the company's recent font change from Futura to Verdana. Designed to be easy to read at small sizes (like catalogs and computer screens), Verdana will be used in IKEA's print and digital communications. What seems on the surface like a simple, subtle shift -- one that arguably fits the company's brand of streamlined, smart, affordable design -- has triggered an onslaught of negative reaction so filled with bile that one might think the company switched to Comic Sans or Jokerman.
Hardee's “Name Our Holes” campaign sure has lathered up the Internet. AdAge calls Hardee's out for "upping the ante in the fast-food smutfest," and Reuters dismisses the campaign as “obnoxious.” Which it is. But it is also hilarious. It's easy to see why some claim advertising has reached an all-time low, but isn't something else going on here?
I have been a reluctant Twitterer for a while now (though, for the record, I am trying to be better about it). I do check my Twitter feed each day and am amazed by how much (and as often, how little) people can say in 140 characters. Certainly, we live in a culture of sound bites, but Twitter takes this to a whole new level. Amidst the thousands and thousands of grammatical crime scene tweets, shoot-from-the-hip happenings tweets, re-tweets, twitpic tweets and glorified email forward tweets are some real creative gems. It is these gems that keep me tuned in to the incessant stream of information and make the sifting through worth it.
In the wake of recent legislation allowing the FDA to regulate the tobacco industry, a variety of smokeless tobacco products are hitting the market. A few e-varieties promise a comparable experience without the stink and stigma of the earlier models. But will smokers find any of these alternatives up to snuff?
Music has played an integral role in branding since commercial radio welcomed product advertisements in the early 1920s. During the past two decades, popular music has evoked consumer emotions around brands and, more recently, has been used to reach specific market segments. When executed smartly, music can truly change the way consumers view brands and products. However, when used willy-nilly, music can expose a brand’s confused and clumsy search for self.
Trent Reznor is known in the music industry for being a risk-taker, musically and technologically. Though a critically acclaimed artist, Reznor has led an enigmatic existence, and his dark, electronic musical style conjures images of drilling down into and exploring outlying areas of a mysterious abyss. It's a natural fit, then, for him to feel at ease connecting with his fans in the virtual world.
Somebody call Eve Ensler, because it looks like the Vagina Monologues are becoming the Vagina Dialogues.
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