The London Olympics Logo: A Five-Ring Circus PDF E-mail
Rachel L. Newman   
Wednesday, 06 June 2007

 

Step right up!  

 

Have you seen the recently unveiled logo for the 2012 London Olympic Games? If not, here it is.

 

This, obviously, is not your ordinary Olympic logo. It’s very Keith Haring meets Eddie Grant for a drink on Electric Avenue, very Desperately Seeking Susan in a Top Shop, very Parker Posey in Party Girl, ordering a side of Babaghanouj from Blake Lewis as he beat-boxes to AC/DC’s “You Shook Me All Night Long.”  It is very, dare I say, Banksy. And most people hate it. 

 

Lord Sebastian Coe, the chairman of the London Organizing Committee of the Olympic Games, believes strongly that this “multimedia” logo is “dynamic, modern and flexible” and will help build a brand for the 2012 London Olympics that is inclusive, accessible, timely and appealing to young people. 

 

The logo, based on the numbers “2012,” will come in shades of pink, blue, red and orange and will “evolve” during the five-year lead-up to the games.  

 

BBC Sport reports that the logo has received an overwhelmingly negative response. Citizen critics ask why imagery of London is totally absent, why it doesn’t stay in the same vein as previous Olympic logos and why it can’t be uniquely British, like the British Olympic Association logo. Of course, there are many people who just think it’s ugly, dated and un-Olympic, and there are concerns as to how this jaunty logo will gel with corporate sponsorships. 

 

When I first saw the logo, I didn’t think much of it. But now I actually really like it. I like the nerdy, torch-and-flag, expected Olympic logos, too. But I think that if the London 2012 Olympic brand is executed well, this logo could be a memorable (and fashionable) one that lives beyond and outside of the 2012 Olympic Games themselves. Frankly, I prefer it to silhouettes of the Houses of Parliament and Big Ben, or five London Eyes interlocked. Not that those were proposed logos, but you catch my drift. 

 

I also think that people are overreacting to the logo alone before seeing how it will fit into the London 2012 brand campaign in general. Let us not forget that the logo is not the brand; it is an external representation of it.  

 

The London 2012 brand campaign looks to be one that captures the heart, spirit and drive necessary for great human achievement – that which is so very inspiring about the Olympics – and the logo provides a recognizable stamp that represents movement and leaves the rest to your imagination.  

 

What’s your opinion?



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Comments (15)Add Comment
Vomit!
written by Hardy's Spectre, June 06, 2007 04:32 PM
I won't even go into the conservative concern regarding the loss of Britishness that this logo represents, but the logo does, indeed, represent disconnection from the past.

The rings lose their symbolic color, the general occasion loses its torch, and the only thing London about it is the humbly lower-case "london". So it's modern...great. But, there's no connection to the past...the Tradition. I'm horrified.

The logo screams children's show for the Ritalin addicts, rather than proudly proclaiming London's continuation of the ancient tradition. The brand may be able to respond to the negative response, but with such a strong negative reaction to such a prominent represenation of the Games, the brand will have a lot to compensate for.

I frankly hate it.
turd
written by Jerry, June 06, 2007 05:05 PM
it's a hot cauldron of poo. too self-conscious. it is all "style" - not design. post-modern? no. post-mortem is more like it.
you give me seizure...
written by Kristin, June 06, 2007 05:11 PM
No wonder there's such outcry. They paid Wolff Olins £400,000 for it. And it doesn't do a thing to capture the spirit of London, traditional or modern. I'm not saying the logo should show a Beefeater mounting the pommel horse or a plate of fish and chips throwing a javelin, but come on. I'll also admit I didn't see the 2012 in the design. I kept looking for a human figger.

Seriously, £400,000.
Are you dissing the pommel horse?
written by Newman, June 06, 2007 05:27 PM
Because the pommel horse is one of my favorite events to watch. It's how I envision aliens recreate.

The London 2012 logo isn't gorgeous, no. But it is daring and different and I like that. It finally gets away a bit from the United Colours de Bennetton swirly figures dancing on a bed of diversity typical stuff. GOOD.

How many Olympic logos from the past do people remember? Very few, I venture to say. They are all the same - landmarks, torches, triumphant gymnasts. What "spirit" did they capture, exactly? They're all just like Wheaties boxes to me.

It looks like the whole 2012 brand campaign will be different that those in the past. The logo is just one part of it and I look forward to seeing how this all plays out.

The price is high, yes. But London is really expensive. :)

Nothing but respect for the pommel horse
written by senorbeavis, June 06, 2007 05:36 PM
I'm currently wearing 30 pieces of Thomas Flair. (Trust me, that's funny.)

Where brands are going
written by Patrick, June 06, 2007 11:36 PM
This is a complex brand, but it works. Yes, it is unfamiliar and unsettling...that's because it is transformative. It is taking the "pagentry" of the Olympics and democratizing it. The logo is "from the street"...just as "everyone" is involved. The logo is at once a moment in time (a date) and a collection of abstract, movable blocks. It is about time and space, and the coming together of all people in them. We are all disabled, all abled, all champions. It is highly nuanced...an unfolding, nonlinear story. That makes us uncomforatable. Why? Because it gives us a role in determining the MEANING of this brand -- it must be OUR Olympics. Maybe our only participation will be riding our own bike, getting a bit healthier...or maybe it start and stop with the interpretation of the logo itself...a bit of INTELLECTUAL gymnastics. Either way, it makes us more emotionally involved in the Games. Think you aren't? Whether you love it or hate it, you are engaged...not indifferent. When was the last time the world griped or defended or searched for meaning in a logo? This layered, malleable, street-sourced, provocative, highly interactive brand is the future of branding, not just the 2012 London Games.
Pommel horse REPRESENT!
written by Newman, June 07, 2007 07:06 AM
Thank you, Patrick. I couldn't agree more.
Senor ...
written by Newman, June 07, 2007 07:16 AM
Does Mr. Flair know??? If he doesn't, you should tell him.
As he left them there...
written by The Reader and the Rider, June 07, 2007 08:47 AM
Yes, this is exciting. Most of us are bitching about the logo, some of us are defending it.

Your defense is a valid one, only in the most general sense, though. The problem with the logo's redefining of the olympics is that it so absolutely destroys any connection to this completely traditional series of events. If the brand more adequately brought together the tradition of the past and the culture of the present, I think the logo would be extremely successful.

I want to say that the Olympics isn't about "we can all be olympians". However, I don't think the competition means to crush all hopes of ever becoming one. But, there must be some element of 'inspiring the hope' in the logo rather than 'you already are' which you argue is present. I think the torch bearing does this quite successfully.

If I can't convince you on any other front, I think we can all agree that a charicature of the queen in a unitard is necessarily belonging in the logo.
...
written by Newman, June 07, 2007 08:48 AM
Okay, one more tidbit and then I'll simmah down.

A petition to get rid of the logo garnered close to 50,000 signatures. It is now closed, but wow.

http://www.gopetition.co.uk/petitions/change-the-london-2012-logo.html

It seems the 2012 Olympics already are taking precedence in people's minds over the 2008 Beijing Games.

The Queen in a Unitard
written by Newman, June 07, 2007 09:26 AM
Isn't that the name of a Smiths album?

I do not think the 2012 Olympics are going to lack the tradition and wonder of the Olympics, and the logo itself does not say that. To Patrick's point - the logo is composed of moveable, flexible components that meet to make different patterns and experiences.

And, as far as "placeness" goes with the logo - the city of London has nothing to prove. It is the host city and it will host well. If the logo was the River Thames and the Games were a disaster, would the logo save the day? No.

London is so dynamic and fantastic because of the constant juxtaposition of old and new ... Lady Sovereign and The Streets performing outside of Buckingham Palace ... The Royal Family sitting amidst intense political tensions, etc. A scone next to a Pop Tart. (ok, that's stretching it).

The new logo indicates that London will present the tradition in a new and different way. What's wrong with that?
Produced in London
written by teriktm, June 07, 2007 01:49 PM
I think it's interesting to see the other submissions
http://www.london2012.com/joinin/create/gallery/
Some of them include the modernity of the logo with a tip of the hat to the geographic location...

We are now - like it or not - more global and more local than ever. Wouldn't this official logo be more interesting if it combined the tension of locale - "produced in London" with the global community spirit.

Olympics are absolutely rooted in place - and recognizing that, cities like Beijing bid on them to create the equivalent of a debutante's ball - a global coming out party. If you've attended a series of Olympics you'll know what I mean - while the events remain the same, the spirit that takes over is intensely different in each city.

Where's the "place" in this rendition??
The Gravity's Rainbow of logos...
written by Eric Raymond, June 07, 2007 01:54 PM
Patrick, I think you're on it with your read of the logo.

Two-pence more: It's not a "comfortable" logo, to be sure. And you know what? Neither is becoming an Olympic athlete. Listening to the commentators during the event broadcast, you'd think that we were watching a bunch of people from across the world who just thought they'd get together and play sports for a couple of weeks. Trust me, this is not the conversation had the night before the event:

"Hey, Zawai, you up for a world record today in the 400 meter?"

"Sure, why not. Probably shouldn't have had that burrito last night. But what the hell."

Let's just admit it: Olympic logos of the past look like bank logos, which betrays the human effort behind the event. So, I think another layer behind that logo is the message: This is an agonizing, unnatural, and startling event; one which is fragmented, human, and should be recognized apart from all others.

E.
BobDoleSez
written by Bob Dole Sez, June 07, 2007 02:08 PM
BobDoleSez: Elizabeth, I'm ready to pole vault. Gold medal please.
the spirit of it all...
written by Patrick, June 07, 2007 03:07 PM
Reader Rider - you are right. Not all of us are Olympians or champions. Most of us fail in much smaller tasks. I agree with you -- the Olympics shouldn't take from the true glory of realy accomplishment and redistribute it, like Castro after sugar plantations. There is room, though, to inspire the hope and dream in all of us that we can do better. And, if I end up investing that hope and dream in some lovely from the other side of the planet, well, then, the Olympics matter to me again, even as the chips keep going down my gullet. Thanks for the read and the comments.

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