Cultural Collage, Daily Edition PDF E-mail
Patrick T. Davis   
Wednesday, 05 December 2007
 
We all know the sad song: newspapers are dying.  Some even say they should, as soon as possible.  Yes, we can get our “news” – whatever the slippery definition of it may now be – in more efficient and interactive ways.  But what do we lose if the newspaper goes away?

 

I think we lose a daily record of our culture, a collage of “right now.”  It tells me a great deal about our world to see a “national” page with a story about a slain football star above a story about Darfur, both on a page with advertising from BMW, for example.  I know a lot about our values – where they rank alongside each other, how they come into conflict, and how good and bad the world is all at once.  Greed, senseless crime, genocide, trading up, achievement drive – all in a glance.  That’s us.  Perhaps there is even a cause-and-effect argument to be made across all these various forms of content, all these stories?    

 

I also know a lot about the editorial filter and view of the paper, though it may not be officially and formally presented on the editorial page.  No website has yet to provide me with this same degree of cultural collage – or cultural insight.  In fact, the “genius” of Google and the other new ad engines will remove the revelations of these conflicts by making sure only the “right” ad appears with the “right” content.  Soon, I will only see what I already know – the machine will remove mash-up and opportunity for interpretation.  Efficiency: 1.  Humanity: 0.

 

Perhaps we should start looking at newspapers as being about more than just “the news.”   They are a daily barometer of the people, community, city or nation that publish them.  That we no longer care to read them – in full context of everything on each page – says more about us than about the news business.

 

 

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Comments (4)Add Comment
At-a-glance cultural reads...
written by E.R., December 05, 2007 03:24 PM
This is one of the most compelling argument I see for newspapers; the at-a-glance means by which we absorb them, to say nothing of the mutability and impermanence of digital content. In a digital-only world, we experience a greater risk of revisionist history and garden variety data loss.

E.
Smart
written by Damp Duvet, December 05, 2007 04:08 PM
I'm reminded of an old client who created a thinly-veiled cheerleader blog, then pulled it when visitors cried bullshit. I tried to find it again last month to use in my high school marketing class, and there's nary a trace. Like it never happened. We've got Rove claiming Dems rushed to war in Iraq, and Bush claiming he pushed for diplomacy with Iran, and that's WITH printed evidence to the contrary. With for profit media owned by local news-gobbling global conglomerates, it's not hard to picture a dystopian future in which citizens have no access to unalterable historical record.

Creepy.
Was he right?
written by patrick, December 05, 2007 05:18 PM
ER and Damp - you are making me rethink my disgust for Andrew Keen and the Cult of the Amateur. You both share his worries about the malleability - and, hence, lack of accountability - of our culture. Maybe I do too. Then again, the Internet has little to do with that. We have anti-drug laws today because WR Hearst didn't want hemp to replace newsprint. I'll take me chances with the masses and what they put "out there."

My hope -- silly -- is that we find an Internet that is LIKE a newspaper -- all cultural blink at once -- but is driven by technoloical efficiencies, not old world printing.
Not so Keen...
written by E.R., December 05, 2007 06:26 PM
Keen's response is hysterical and his "solution" no solution at all... I like to think that longer-format print material (i.e. books) are the better form for archiving our culture. There is joy in the at-a-glance design of a newspaper page, but synthesis and pattern recognition is possible only with some remove. Aggregation (as this site proves) is incredibly useful in futurecasting and understanding the current temperature in a given segment of the culture.

Hence the rise of the editorial class... there's value in the collector and the synthesizer, cherry picking melody from the Internet's white noise.

E.

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